![]() ![]() During a following drive by the Mustangs, quarterback Bob Finley performed a fake punt and connected with receiver Bob Wilson for another touchdown, with the Mustangs winning with a score of 20–14. The game started with a 14–7 lead for the Mustangs going into halftime, and after a scoreless third quarter, the Horned Frogs, led by quarterback Sammy Baugh, scored a game-tying touchdown early in the fourth quarter. ![]() The buildup attracted a great deal of national attention, and it was the first football game in Texas to be broadcast nationwide on radio.īoth teams employed a strong passing game that was uncommon in the conference at the time. ![]() As a result, the game is commonly considered a " Game of the Century", a moniker which noted sportswriter Grantland Rice, among others, used to describe the game. The game also held national championship implications, as the winner was expected to receive an invitation to compete in the Rose Bowl. Both Southern Methodist University and Texas Christian University were members of the Southwest Conference, and a win in this game was necessary for either team to secure the conference championship. The two teams were undefeated and untied heading into the game. TCU football game was a regular season college football game between the SMU Mustangs and the TCU Horned Frogs on November 30, 1935, at Amon G. ![]()
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![]() ![]() The character of Marlow provides one way by which the author can bring Britain into his concerns. ![]() But is his usefulness limited by his British imperial-mindedness? Conrad is able to treat this side of Marlow critically just as he does the other aspects. His honesty and exceptional humanity set him up as a fitting narrator. That Marlow is a certain type of Englishman is also important. In four instances Marlow is compelled to compromise with truth, but for a worthy purpose we feel that he is as honest as possible in an imperfect world. On one level, "Heart of Darkness" is a serious commentary on imperialism, what Conrad called "the vilest scramble for loot that ever disfigured the history of human conscience and geographical exploration." Marlow's portrayal is, from one aspect, a part of this theme, and his suitability as a narrative vehicle is crucial to its presentation. Conrad uses it ironically to subvert the sahib views of imperialism. ![]() The most powerful influence on Conrad's choice of narrative convention would have been the mode of the sahib recounting his colonial experiences. Marlow relates the story as if it were firsthand experience. ![]() Certainly "Heart of Darkness" possesses some elements of realism. The Africa in the tale is the continent as seen through European eyes. Joseph Conrad's intention in "Heart of Darkness" is not to provide an accurate description of Africa. ![]() ![]() ![]() The idea was a great one." But thanks in part to an egotistical New York real estate developer (you get three guesses), the league died in 1985.įootball for a Buck tells the league's story in all its doomed glory. "The idea was a good one," Jeff Pearlman writes in his endlessly fascinating history of the league, Football for a Buck. But it's good news for football fans, who have had to endure seven long, gridiron-free months.įor three years in the mid-1980s, sports fans could enjoy football in the Spring, thanks to the United States Football League - which featured colorful players and uniforms, and put an emphasis on fun. ![]() The end of the summer is bad news for students, teachers and masochists who enjoy feeling like they're literally on fire whenever the sun is out. Your purchase helps support NPR programming. Close overlay Buy Featured Book Title Football for a Buck Subtitle The Crazy Rise and Crazier Demise of the USFL Author Jeff Pearlman ![]() ![]() ![]() ![]() Take kindly the counsel of the years, gracefully surrendering the things of youth. Neither be cynical about love for in the face of all aridity and disenchantment, it is as perennial as the grass. But let this not blind you to what virtue there is many persons strive for high ideals, and everywhere life is full of heroism.īe yourself. Keep interested in your own career, however humble it is a real possession in the changing fortunes of time.Įxercise caution in your business affairs, for the world is full of trickery. If you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.Įnjoy your achievements as well as your plans. Speak your truth quietly and clearly and listen to others, even to the dull and the ignorant they too have their story.Īvoid loud and aggressive persons they are vexatious to the spirit. As far as possible, without surrender, be on good terms with all persons. Go placidly amid the noise and the haste, and remember what peace there may be in silence. This is the original text from the book where Desiderata was first published. ![]() ![]() ![]()
![]() Science fiction, fantasy, and superhero comics formed the core of my younger reading, though I branched into historical and mystery, myth and legend, even the odd bit of mainstream fiction. With adolescence and then the demands of adulthood that tapered off a bit, but it’s been a rare month when I haven’t knocked off at least a couple of books. ![]() Sometimes only a little bit, but more often a couple of chapters, and in summers when I was off from school, a book or two a day. From the time I learned to read until fifteen or so I read pretty much every day. I grew up on books, reading every chance I got in my childhood. It’s an enormous privilege that I get to do something I love so much as my job, and that I get to see my work on the same shelves with the writers who were such a huge part of making me who I am today. I don’t think that I shall ever get used to the idea. ![]() Despite this being my fifth book launch, I find myself as elated and baffled and nervous and delighted and just plain punchy about the idea that something I wrote is hitting shelves all over the country today as ever. ![]() ![]() ![]() ![]() Granting equal time to the sacred and the profane, Cahill rivets our attention to the legacies of an ancient and enduring worldview. The glorious verses of the Iliad recount a conflict in which rage and outrage spur men to action and suggest that their “bellicose society of gleaming metals and rattling weapons” is not so very distant from more recent campaigns of “shock and awe.” And, centuries before Zorba, Greece was a land where music, dance, and freely flowing wine were essential to the high life. By developing the alphabet, the Greeks empowered the reader, demystified experience, and opened the way for civil discussion and experimentation - yet they kept slaves. In the city-states of Athens and Sparta and throughout the Greek islands, honors could be won in making love and war, and lives were rife with contradictions. Over the course of 264 pages of text, Cahill looks. ![]() ![]() But Cahill’s answer to why the Greeks matter is two-fold. In Sailing the Wine-Dark Sea, his fourth volume to explore “the hinges of history,” Thomas Cahill escorts the reader on another entertaining - and historically unassailable - journey through the landmarks of art and bloodshed that defined Greek culture nearly three millennia ago. Sailing the Wine-Dark Sea: Why the Greeks Matter by Thomas Cahill 3.8 (10) Paperback (Reprint) 19.00 Paperback 19.00 eBook 14.99 Audiobook 0. Sailing the Wine-Dark Sea, the fourth volume of Thomas Cahill’s Hinges of History, examines and explains the structure of Greek society and ideas as well as the reasons why it has permeated so much of what we know of Western culture. ![]() ![]() ![]() Kirkus critics had mixed feelings about the Lange books, with one reviewer saying The Venom Business “will leave you cold” and another calling Binary “a high priority-security situation which reads faster than you can think.” ![]() He went on to publish more books under the John Lange pen name: The Venom Business, Drug of Choice, Grave Descend, and Binary. ![]() In 1969, Crichton published the first novel under his own name, The Andromeda Strain, which landed the author on the New York Times bestseller list. The first, Odds On, came out in 1966, and was followed by Scratch One, Easy Go, and Zero Cool. The books were originally published in the late 1960s and early ’70s under the name John Lange, while Crichton, who would go on to write such bestsellers as Congo and Jurassic Park, was a student at Harvard Medical School. Blackstone Publishing will republish eight early Michael Crichton adventure novels, which the late author originally wrote under a pen name, Deadline reports. ![]() ![]() ![]() ![]() The essay concludes with a consideration of the implications of such a fear for ecocriticism. ![]() What remains is an irresolvable fear regarding the uncertain borders between persons and environments. For Poe, the world can be made neither other nor mirror if our ontological separation from the universe is a fantasy, then so too is our enabling kinship with it. Little A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Edward S. ![]() Poe’s texts thus foreclose both the idea that human selves are inherently distinct from or superior to their nonhuman environments and the seemingly antithetical (but actually coextensive) notion that we can self-constructively lose ourselves to the world. The Colloquy of Monos and Una and The Mystery of Marie Rogêt Jean A. Unlike his transcendentalist contemporaries and many current posthumanists, Poe represents the fusion of subjects and environments as a cataclysmic collapse, making the nonhuman environment the field against which discrete selves disappear as material bodies and as metaphysical entities. Extended readings of Henry David Thoreau (“Walking”), Edgar Allan Poe (“The Island of the Fay,” “The Black Cat,” and “The Colloquy of Monos and Una”) and recent posthumanist discourse illuminate these points. Taylor’s essay complicates Simon Estok’s analysis of ecophobia by illustrating, first, that fear of the natural world need not lead to its domination, and second, that ecophilia-ecophobia’s presumptive opposite-represents not a solution to this problem but an extension of the same logic under another name. ![]() ![]() He has developed an innovative psychotherapy which integrates elements from Attachment Theory, somatic psychotherapies, Object Relations Theory and non-western traditions, creating a unique psychotherapy, which integrates elements from Attachment Theory, somatic psychotherapies, Object Relations Theory and non-western traditions, creating a unique psychotherapy model that is non-regressive, non-interpretive, present moment oriented and works in a unique way with a client’s personal history: The NARM model is based on the premise that it is the persistence of once life-saving adaptive survival style mechanisms not the trauma itself that creates symptoms.ĭr. He has 40 years of clinical experience and has been leading trainings for psychotherapists for much of that time. Heller is also the founder of the NARM Training Institute. ![]() ![]() Laurence Heller, PhD, developed the NeuroAffective Relational Model ® known as NARM ®. ![]() |